Page 58 - Demo

056 | 入選徐兆甫國立臺灣師範大學 / 美術系 / 水墨鴨鴨Ducks / 2025180 長 × 360 寬 × 6 高 cm絹本、水、墨汁、壓克力、雲母、膠創作理念運用古典水墨工筆畫融合普普藝術的鮮明色彩符號語言重新演繹，並結合當代繪畫的創作思維，重新詮釋古典水墨畫黑與白的藝術表現形式。透過屏風作為載體，不僅延續東方文化的美學脈絡，也賦予作品多重視角與空間轉換的可能性。這樣的創作形式在古典與現代之間搭起橋樑，希冀能體現出具有時代與時事之精神與文化的藝術價值。This artwork combines the techniques of traditional ink painting with the vibrant colors of Pop Art, incorporating a contemporary artistic concepts. It reinterprets the classic black-and-white style of traditional ink painting. Using the folding screen as a medium, the work not only continues the aesthetic lineage of Eastern culture but also introduces possibilities for multiple perspectives and spatial transformations. This form of creation builds a bridge between the classical and the contemporary, aiming to reveal artistic value that reflects the spirit and culture of the present era and current events.Hsu, Chao-Fu / 1990作品說明「黃色小鴨漂流」來源自荷蘭藝術家弗洛倫泰因‧霍夫曼（Florentijn Hofman）的裝置藝術《Rubber Duck》。希望透過這隻放大版的童年玩具，喚起人們的童心與快樂，並傳遞無國界的理念。創作者結合工筆水墨與普普藝術符號，融合當代繪畫思維，重塑黑白美學，古今交融的文化藝術氛圍。“Floating Rubber Duck” originates from the installation art \Duck\childhood toy, the artwork seeks to evoke a sense of childlike joy and happiness, while conveying the idea of a world without borders. The artist combines meticulous ink painting with Pop Art symbols, integrating contemporary painting concepts to reshape the aesthetics of black and white, creating a cultural and artistic atmosphere where tradition and modernity converge.入 選