Page 68 - Demo

066 | 入選蔡昕珆國立臺灣藝術大學 / 工藝設計學系碩士班拮抗ANTAGONIST / 202420 長 × 48 寬 × 17 高，38 長 × 30 寬 × 10 高30 長 × 28 寬 × 7 高 cm紅銅Tsai, Hsin-Yi / 2000創作理念以人體肌肉運作時的「拮抗作用」為依據，當拮抗肌與主動肌動作時，會存在相對行為，時而彼此制衡、卻又相互依存。由於自身肌肉長期緊繃的經驗，這種生理上的不平衡，與我在人際互動中的心理感受產生呼應。在一段關係中，當一方過度壓抑自我、順從他人以維繫表面的和諧，卻忽略了彼此間的拮抗平衡，最終導致情感的疲乏與斷裂。這種不平衡的狀態，並非自身獨有的困境，是一種普遍存在於親密關係中的現象，希望觀者透過作品反思，維繫關係的同時是不是也忘了自我聲音的存在。Based on the “antagonistic action” of human muscles, the antagonist and agonist muscles exhibit opposing behaviors during movement. They sometimes counterbalance each other but remain mutually dependent.The long-term muscle tension, this physical imbalance, resonates with my psychological experiences in interpersonal interactions. In a relationship, when one party excessively suppresses themselves and complies with the other to maintain superficial harmony, the neglect of the antagonistic balance between them can ultimately lead to emotional exhaustion and breakdown.This state of imbalance is not a struggle unique to myself, but a common phenomenon in intimate relationships. Through this work, I hope viewers will reflect on whether they have also forgotten their voice when they want to maintain a relationship.作品說明此系列作品使用金屬銅線為材料，透過金工的焊接、鍛敲技法以及化學染色製作而成。同時運用懸吊與光影投射的手法，展現肌肉張力下的姿態，將無形的情緒張力具象化。影子如潛藏的內在情緒，時而柔和、時而扭曲，提醒觀者正視關係中不對等的力量分布。This series of works uses copper wire as the material, created through metalworking techniques such as welding, forging, and chemical patination. At the same time, techniques of suspension and lightshadow projection are employed to reveal postures under muscular tension, giving form to the intangible tension of emotions. The shadows, like hidden inner emotions, appear at times gentle and at other times distorted, reminding viewers to face the unequal distribution of power in the relationships.入 選