Page 70 - Demo

068 | 入選陳 寬國立臺北藝術大學 / 美術系 ( 雕塑組 )( 碩士在學中 )沉默的共存Silent Coexistence / 2025200 長 × 100 寬 × 260 高 cm陶瓷、釉藥、夾板、蠟線、消音棉、噴漆創作理念作品探討物質於功能懸置後所展開的詩意關係。當日常材料因功能停擺而脫離原有經驗框架，物的形態張力與沉默聯繫便顯露其幽微存在。透過消音棉與防撞波浪綿等工業性物質的轉化與配置，作品於靜默中開展物與物之間的關係，並藉由蠟線與擱置物件構成臨時場域，引導觀者重新感知物質存在邊界，進一步探索功能之外的感性經驗。The work explores the poetic relationships when the object is malfunctioned. When daily materials fail to work and are detached from familiar frameworks of experience, the tension in their forms and their silent connections begin to emerge subtly. This work transforms and arranges industrial materials, such as sound-absorbing foam and shockproof wave foam, to reveal relationships between objects in silence. By incorporating waxed threads and displaced items to create a temporary site, it encourages viewers to re-examine the boundaries of material existence and explore sensory experiences beyond their functional purposes.Chen, Kuan / 1998作品說明三塊黑色消音棉正面疊合懸掛，僅靠波紋嵌合維持脆弱依存關係。木箱中置入陶瓷製防撞波浪綿，防護性已失，僅餘空蕩外觀與缺席感。一條蠟線穿越牆面後自然垂落，呼應靠牆擱置的第四塊消音棉，共構物的沉默詩性場域。Three pieces of black soundproof foam are overlapped and suspended facing forward, relying solely on the interlocking of their ridges to maintain a fragile state of mutual dependence. Ceramic shock-absorbing foam is placed inside the wooden box, but its protective function has been lost-only an empty appearance and a sense of loss remain. A waxed thread passes through the wall and falls naturally, echoing the fourth piece of soundproof foam resting against the wall, forming a silent and poetic field of coexistence.入 選