Page 98 - Demo

096 | 入選楊柏以國立臺北藝術大學 / 美術學系碩士 / 雕塑組（在學中）國立臺灣藝術大學雕塑學系碩士（在學中）房間Bedroom / 2024300 長 × 300 寬 × 90 高 cm磨石子、現成物、大理石、木材、複合媒材Yang, Po-Yi / 2001創作理念作品探討私密性如何在公共空間中被展示，藉由香氣營造個人存在的想像，重新詮釋「在場」與「不在場」。延伸至女性身體意象的探討，將「臭屁坐墊」等滑稽物件結合女性特徵，透過幽默對抗性別壓迫與物化。材質上以磨石子象徵剝開內心的過程，建構粉紅色系的女性房間氛圍，質疑文化中的性別象徵。床與地板等元素融合有機造型，創造一種漂浮、自然的空間想像，呈現出隱性語彙與私密性展示的矛盾與流動性。The work discusses how privacy is displayed in public space, using scent to evoke the imagination of personal presence and reinterpreting the notions of “presence” and “absence.” Extending to the discussion of the female body, the work incorporates playful objects such as \cushions\gender oppression and objectification. Elements such as the bed and floor are fused with organic forms, creating a floating, natural spatial imagination that reveals the contradictions and fluidity between implicit language and the display of intimacy. Terrazzo is used to symbolize the process of peeling the inner self, constructing a pink-toned feminine room atmosphere that questions gender symbols embedded in culture. Elements such as the bed and floor are fused with organic forms, creating a floating, natural spatial imagination that reveals the contradictions and fluidity between implicit language and the display of privacy.作品說明作品以「房間」象徵個體最私密的空間，探討私密性如何轉化為公共體驗。透過香氣營造陪伴感，重塑「在場／不在場」的感知。運用「臭屁坐墊」結合幽默語彙，挑戰對女性身體的物化與羞辱。粉紅磨石子地板建構女性房間氛圍，質疑文化中對女性的既定象徵。床的抽象有機形式展現放鬆與親密，也突顯不完美所隱含的空間權力。The work uses the \private space, exploring how privacy can be transformed into a public experience. Through the use of scent to evoke a sense of companionship, the work reshapes the perception of “presence” and “absence. \humor, the work challenges the objectification and humiliation of the female body. The pink terrazzo flooring constructs a feminine room atmosphere, questioning the culturally imposed symbols on women. The bed’s abstract organic form conveys relaxation and intimacy while highlighting the spatial power implied by imperfection.入 選