Page 96 - Demo

094 | 入選林佳昀台南應用科技大學 / 美術系繁縟Complicated / 202570 長 × 180 寬 cm油彩、裱板Lin, Chia-Yun / 2000創作理念該系列以榕樹作為主軸，榕樹是台灣常見的樹木，是聚落的中心，乘載著生活記憶的場所。也是心靈寄託的對象，人們綁上紅繩，神格化其存在，賦予不一樣的意義。因此以樹木為表徵，透過油彩技法探索感官經驗與心像的轉譯。在流動與生長中，回應歷史、土地與個體情感，呈現自然與人性交織的存在狀態。This series centers around the banyan tree, a common tree in Taiwan and often the heart of a community-a place that carries the memories of everyday life. It also serves as a spiritual anchor; people tie red strings to it, deifying its presence and giving it with different meanings. In its progression, the work reacts to history, land, and personal emotion, displaying a state of being where nature and humanity are intricately connected. Thus, using the tree as a symbol, the work explores the translation of sensory experience and inner image through oil painting skills. In its progression, the work reacts to history, land, and personal emotion, displaying a state of being where nature and humanity are intricately connected.作品說明作品以微觀、聚焦的視角描繪樹木的氣根、表層的質感，並以自動性技法呈現生長的樣態。不同的色調表現不同時間的身軀，再給予一抹紅線，象徵神格化後的樹神，是寄託、也是指引。The work depicts the tree’s aerial roots and surface textures from a microscopic, focused perspective, using automatist techniques to express the dynamic process of growth. Different tones represent the body of the tree at various moments, while a single stroke of red thread symbolizes the deified tree spirit-a vessel of hope, and a guide.入 選