Page 74 - Demo

072 | 入選蔡式媚東海大學 / 哲學系 ( 碩士 )蓬蒿之間In the Midst of the Weeds / 2024189 長 × 297 寬 × 3 高 cm生宣、墨、膠、水性顏料創作理念牠俯衝而下的是一片矮雜草，進入其中之後，世界由此展開，在小麻雀的視線裡，無處不熟悉。當振翅昂揚而上，朗朗清明隨之浮現眼前，但牠不眷戀晴空、不遠離枝梢，盤旋幾回，再次進入雜草之中。這如同我每一回的創作取向，心念放飛後收攝，方向單一，就像《蓬蒿之間》的呈現，作品視角以俯瞰並橫向蔓延，甚至達到視覺之外。It dives into a patch of low and wild grass. Upon entering, the world unfolds from there. Through the eyes of the little sparrow, everything is intimately familiar. As it soars high, a bright and clear sky comes into view. But it neither lingers in the open sky, nor does it stray far from the branches. After a few circles, it dives once more into the wild grass. This resembles the process of my creation. After letting the mind take flight, it is drawn back in, with a single direction. Just like the presentation of \n the Midst of the Weeds,\view and spreads horizontally, even extending beyond the bounds of vision.Tsai, Shih-Mei / 1959作品說明《蓬蒿之間》的畫面，以俯瞰角度、橫向蔓延作出傳達，描述著跳躍俯衝時的水草風切形狀。堅硬小石的留白處理，對應著雜草的統一色調與空隙的極黑，將單幅之間的蓬蒿縱深，連續成一種逡巡式的平面全貌。The composition of \through a bird’s-eye perspective and horizontal expansion. The reserved blank spaces of the hard little stones correspond to the unified tones of the weeds and the deep black of the gaps, extending the depth of the weeds across individual panels to form a continuous and panoramic view on a flat plane.入 選