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088 | 入選陳思宇真理大學 / 外國語文學系 ( 肄業 )春春日日HARU’S HARUHARU / 202555 長 × 160 寬 cm半麻、白米、石膏、立德粉、壓克力、噴漆、粉彩、和紙、報紙、新鮮花朵、新鮮綠葉創作理念最先以醫學研究為目的，因醫生的鼓勵，繪者開始以日記型式創作她因聯覺能力所能看到的流動色彩與形狀，記錄透過感官體驗（輸入），將視覺經驗藉由畫作具象化（輸出）。使用多種複合媒材，服務以存在主義為軸心之概念。他人看不見的「世界的模樣」，以多層樣貌實際地在她眼前每天以不同的形狀與顏色，存在並且流動著。身為跨領域藝術家（音樂、文學、繪畫），她所有作品皆圍繞探討生死的意義、感官經驗、性別議題及個體與世界的聯結。Originally created for the purposes of medical research, the artist, encouraged by her doctor, began creating diary-style works, depicting the flowing colors and shapes she perceives through her synesthesia. These works record sensory experiences (input) and concretize her visual perceptions through painting (output). By using a variety of mixed media, her work centers around the concept of existentialism. The “appearance of the world” unseen by others appears before her eyes each day in different shapes and colors-existing and flowing. As an interdisciplinary artist (in music, literature, and painting), all of her works revolve around the discussing of life and death, sensory experience, gender issues, and the connection between the individual and the world.Chen, Szu-Yu / 1985作品說明此作以三張 15F 畫布構成 triptych，記錄我親手研磨白米——亞洲最古老的主食之一。結合石膏、硫化鋅與硫酸鋇創造「地形」，以壓克力與石灰沙堆疊「流動能量」，再以新鮮花朵象徵死亡與短暫生命，綠葉象徵重生與希望。透過改變他者命運，創作者將其重生為全新形式，重新定義存在。歷經三個月視覺觀察，並以語意裝置融合日、英、韓語命名為《HARU’S HARUHARU》。如薛西弗斯般，我被春天溫柔懲罰，日復一日地被提醒：「妳存在，妳如我一樣綻放。」This piece is a triptych composed of three 15F canvases, recording my process of grinding white rice-one of Asia’s oldest staple foods. I blend plaster, zinc sulfide, and barium sulfate to create a \acrylic with lime sand to represent \symbolize death and the transient nature of life, while green leaves represent rebirth and hope. By transforming the fate of others, the artist redefines their existence, exploring new meanings of being. After three months of observation, the work is titled \a semantic installation that blends Japanese, English, and Korean languages. Like Sisyphus, I am gently punished by spring and reminded day after day: \入 選