Page 86 - Demo

084 | 入選陳薈茗國立臺北藝術大學 / 新媒體藝術研究所 ( 媒體藝術創作 )( 在學中 )離開日復一日Departing the Repetitive Day / 2024Full HD (1920px*1080px)單頻道錄像創作理念本作品透過日常物件與自然景觀的重構與錯置，建構出一個介於現實與超現實之間的詩意場域。在洞穴空間中散落的生活物件、漂浮於海中的傢俱殘骸、佇立如終點般的巨石等意象，共同編織出一幅解構日常邏輯的視覺敘事。這些物質性的轉譯源自對生活經驗的深層感知，藉由空間重組與物件重置，展現出對當代生存經驗的深刻反思。This work constructs a poetic realm between reality and surrealism through the reconstruction and displacement of everyday objects and natural landscapes. Scattered everyday objects in a cave-like space, floating furniture debris in the sea, and monumental rocks standing like an end point-all these elements come together to weave a visual narrative that deconstructs the logic of the everyday. These material translations stem from a deep sensitivity to life experience. Through the reorganization of space and the repositioning of objects, the work presents a profound reflection on the conditions of contemporary existence.Chen, Hui-Ming / 1998作品說明作品畫面呈現洞穴、海面與漂浮物件交織的場域，傢俱殘骸與巨石錯置其間，建構出超現實的詩性敘事。以單頻道錄像方式，投影於牆面播放，引導觀者在凝滯與流動之間，思索日常經驗的解構與轉化。The composition presents an interwoven realm of caves, ocean surfaces, and floating objects. Amid the dislocated furniture debris and monumental rocks, a surreal and poetic narrative is constructed. Presented as a single-channel video projected onto the wall, it guides viewers to reflect on the deconstruction and transformation of everyday experiences amid stillness and movement.入 選