Page 78 - Demo

076 | 入選楊淯麟國立臺灣藝術大學牛罵頭Gomach/202565 長 × 400 寬 cm墨、碳酸鈣混合物、畫布Yang, Yu-Lin/1996創作理念清水舊名「牛罵頭」，約 4,500 年前的新時期時代，牛罵頭文化的清水先民便已製作出紅、褐色繩紋陶器等陶製文物，陶片與細膩紋路深深吸引我，並成為靈感來源。作品從抽離彩度的白底開始，回應並暗示修復古文物的過程中被填補與重建缺失之處，既是客觀重構，亦是浪漫想像，更是對清水在地文化的敬畏。Qingshui was formerly known as “Gomach.” Around 4,500 years ago, during the Neolithic period, the early settlers of the Gomach culture in Qingshui had already created red and brown cord-marked pottery and other ceramic artifacts. I was deeply attracted to the pottery shards and their intricate patterns, which became a source of inspiration for my work. The work begins with a desaturated white background, responding to and hinting at the process of restoring ancient artifactswhere missing parts are filled in and reconstructed. It is both an objective reconstruction and a romantic imagination, and above all, an expression of reverence for the local culture of Qingshui.作品說明白底錯落的紋路呼應陶片紋理，暗示生命歷程留下的痕跡。散佈黑線與陶片造型的情感團塊，是創作情緒投射，及對牛罵頭生活的感性想像。畫面上較粗的線條，如同史前發掘遺址中的標示線，圍繞出回顧以往並推向未來的當下。The scattered patterns on the white background echo the textures of pottery shards, subtly suggesting the traces left behind by the passage of life. The scattered black lines and pottery-shaped, representing emotional clusters, are projections of the artist's creative emotions and a sentimental imagining of life of Gomach.入 選