Page 82 - Demo

080 | 入選黃筱雯實踐大學 / 服裝設計系C’engC’eng / 2024210 長 × 320 寬 × 210 高 cm帆布、數位輸出、數位微噴、錄像創作理念我觀察到一個現象，在社群軟體中，人們更願意與讓自己看起來過得更好的人或背景物合照。這次以藝術圈作為實驗對象，轉換被蹭者的角色位置，營造出迷惑圈內外人的假象。同時展出CV，體現蹭的力度，與「無限漲粉錄像」讓觀者感受粉絲數快速上漲的快感。人氣掌握話語權，話語權掌控真相。I’ve observed a phenomenon on social media: people are more inclined to take photos with those who make them appear more successfulor with backgrounds that enhance that impression. This time, I used the art world as the subject of my experiment, reversing the role of the one being “C'eng (clout-chased)\both insiders and outsiders of the circle. The exhibition also features a displayed CV, highlighting the intensity of the “C'eng (clout-chasing),\along with \experience the thrill of rapidly increasing followers.Huang, HsiaoWen / 1993作品說明裝置牆以「蹭」協作藝術家之 CV 與其拍攝照片組成，佐以手持Demo 手機的白手套假手展現拍照過程，一地散落的幕後花絮照片，象徵無人在意的真相。投影紅毯般的閃燈及瘋狂上漲的粉絲人數，為「蹭」代表的世俗成功。The installation wall is composed of the CVs of the “C'eng (cloutchasing)\White-gloved prosthetic hands hold demonstration phones to show taking photos. Scattered behind-the-scenes photos on the ground symbolize truths that no one cares about. The projection of flashing red carpet lights and rapidly rising follower counts symbolizes the worldly success represented by “C'eng (cloud-chasing).\入 選