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044 | 入選劉品汝國立臺南藝術大學 / 應用藝術研究所 ( 纖維藝術 )( 碩士 )不平凡的日子Unusual Days / 2025130 長 × 25 寬 cm日曆紙創作理念《不平凡的日子》透過祖母的沙龍照、母親的婚紗照與我自己的獨照，轉印在日曆紙上，再將其層層拆解與重組。影像在拆解中變得模糊，三代女性的臉龐彷彿被融合為一體，難以分辨卻又各自清晰。日曆象徵著時間的推移，也記錄著跨世代女性的生命經驗。我們在相同年紀，承擔著不同時代的選擇與壓力，而我選擇走出母親與祖母的既定軌跡。這些模糊又重疊的影像，映照出家族記憶的連續性，也彰顯我在傳統與個體意識中尋求定位的過程。\nusual Days\wedding photo, and my solo shot, transferring them onto calendar paper, then deconstructing and reconstructing them layer by layer. The images become blurred through the process of deconstruction, as the faces of three generations of women seem to merge into one, indistinguishable, yet each remaining distinctly visible. The calendar symbolizes the passage of time and also serves as a record of the women life across generations. At the same age, we each bear the choices and pressures of different eras, but I choose to step away from the predetermined paths of my mother and grandmother. These blurred and overlapping images reflect the continuity of family memory and highlight my journey of seeking identity between tradition and individual consciousness.Liu, Pin-Ju / 2000作品說明以日曆紙為載體，將祖母、母親與自己的肖像轉印其上，再將影像剪裁、層層重組。紙張的脆弱與時間性對應記憶的易逝，影像在轉印與拼貼中產生模糊與融合，呈現三代女性之間既重疊又獨立的身影，探討家庭記憶與個體身份的交織。 I use calendar paper as a medium to transfer the portraits of my grandmother, mother, and myself onto it and cut and layer the images to reconstruct them piece by piece. The fragility of the paper and the symbol of passage of time reflect the fade of memory. Through transfer and collage, the images become blurred and merged, revealing the overlapping yet distinct presence of three generations of women, exploring the intertwining of family memory and individual identity.入 選