Page 48 - Demo

046 | 入選李浩銓國立臺北藝術大學 / 美術系研究所 ( 在學中 )圖層錯序與矛盾場域Disordered Layers and Paradoxical Space / 2025150 長 × 500 寬 cm油畫創作理念透過多樣的繪畫處理手法描繪不同材質的質感，使畫面表層的繪畫肌理成為可被閱讀的視覺訊息，顏料厚薄的變化進一步拉出觀看時的視覺層次，引導觀者在畫面中進行質地辨識，且本應在繪畫透視邏輯退至遠處的景色，卻被建構於畫面凸起的物質表層之上，導致視覺上產生錯置與矛盾感，進一步擾動原有的觀看秩序。By using a variety of painting techniques to present the textures of different materials, the surface texture of the artwork becomes a clear visual message. Variations in the thickness of the paint create visual depth, helping the viewer recognize the textures within the image. In addition, objects that should logically recede into the distance according to pictorial perspective are presented on the raised surface of the painting. This creates a visual dislocation and a sense of contradiction, further disrupting the viewer's original perception.Li, Hao-Chuan / 1992作品說明從日常生活中的景色出發，將習以為常的場景重新構成，透過繪畫圖層的重新排序，乍看下合理的場景，在繪畫中被重構，並用現代科技下的視覺經驗，如畫面的破圖、螢幕反光用於畫面，生成圖層錯序與透明結構的視覺狀態。 Starting from common sights, familiar sights are restructured through the reordering of painted layers. At first glance, the compositions may appear coherent, yet they are reconstructed within the painting. Applying visual experiences shaped by modern technology-such as image glitches and screen reflections-the work generates a visual state of disordered layering and transparent structures.入 選