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048 | 入選湛文甫輔仁大學 / 博物館學研究所 ( 碩士 )非鳥電廠AVIANLESS / 2025300 長 × 350 寬 × 200 高 cm太陽能板、感應燈具、光電儲能設備、數位輸出創作理念《AVIANLESS》記錄水面型太陽能電廠中偶然現身的鳥與植物,透過鏡頭捕捉人工場域裡生命的不確定軌跡。鳥影掠過光電板、野植在縫隙中滋長,這些非預期的自然痕跡,構成對高度控制環境中「自然仍在」的低語回應。本作反思人造結構與生命流動的邊界,也描繪一種潛藏於秩序之下的野性詩意。\ records the occasional appearance of birds and plants within a floating solar power plant. Through the lens, it captures the uncertain traces of life within this man-made environment. Bird shadows sweep across solar panels, and wild plants grow in the gaps. These unexpected traces of nature form a subtle response, whispering that “nature persists” even within a highly controlled environment. This work reflects on the boundary between man-made structures and the flow of life, portraying a kind of wild poeticism that hidden beneath imposed order.Chen, Wen-Fu / 1989作品說明《AVIANLESS》結合太陽能板、感應燈具、光電儲能設備與數位輸出,構築一個捕捉自然介入的能量場域。透過光感反應,回應鳥與植物於人造結構中的短暫現身,映現自然在技術景觀中的微光軌跡。 \ combines solar panels, motion sensor lights, photovoltaic energy storage system, and digital outputs to construct an energy field that captures nature’s interventions. Through light-sensitive reactions, it responds to the fleeting appearances of birds and plants within man-made structures, revealing the subtle traces of nature within a technological landscape.入 選

